Back in the days of network television, a vanity card in the end credits was a means by which writer-producers could express their creative dominion over the just-viewed show. It was dubbed a vanity card because vanity was all it had going for it. The actual producer of the show was the company that financed the show - that took the financial risk. The hierarchy was simple, the writer-producer couldn't fire the company, but the company could fire the writer-producer. I can vouch for this because I've been fired. A couple of times. But here we are now in the world of streaming television. On the plus side, a world where end credits are barely viewed by anyone. The viewer is actually encouraged to skip over them and quickly re-engage with another episode, or a different show or movie. Which brings me back to vanity cards. Why on Earth am I writing vanity cards for Bookie? My friends and family won't bother to read them. They might not even be able to find them. One might say, If a vanity card is written on Max, and no one reads it, was it amusing? Fuck if I know.

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About Chuck Lorre

Chuck Lorre was a 20th-century American television writer and producer. Charles Michael Lorre is an American television producer, writer, director, and composer. Nicknamed the "King of Sitcoms", Lorre has created/co-created and produced many sitcoms including Cybill (1995–1998), Dharma & Greg (1997–2002), Two and a Half Men (2003–2015), The Big Bang Theory (2007–2019) and its spinoffs Young Sheldon (2017–2024) and Georgie & Mandy's First Marriage (2024–present), and Mom (2013–2021). Read more on Wikipedia →

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