Theres a big default notion that spare, or precise prose is somehow better. I keep insisting to them that while such prose is completely legitimate, its in no way intrinsically more accurate, more relevant, or better than lush prose. That adjective precise, for example, needs unpicking. If a minimalist writer describes a table, and a metaphor-ridden adjective-heavy weird fictioneer describes a table, they are very different, but the former is in absolutely no way closer to the material reality than the latter. Both of them are radically different from that reality. Theyre just words. A table is a big wooden thing with my tea on it.

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