“Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...”

“Shooting Willoughby carrying Marianne up the path. ... Male strength -- the desire to be cradled again? ... I'd love someone to pick me up and carry me off. Frightening. Lindsay assures me I'd star...”

“I don't have technique because I never learnt any.”

“Difficult for actors to extemporise in nineteenth-century English. Except for Robert Hardy and Elizabeth Spriggs, who speak that way anyway.”

“Quick dinner with ... Ang [Lee] and his wife Jane who's visiting with the children for a while. We talked about her work as a microbiologist and the behaviour of the epithingalingie under the influ...”

“I think books are like people, in the sense that they'll turn up in your life when you most need them.”

“Connection is health. And what our society does its best to disguise from us is how ordinary, how commonly attainable, health is. We lose our health - and create profitable diseases and dependences...”

“As the connections have been broken by the fragmentation and isolation of work, they can be restored by restoring the wholeness of work. There is work that is isolating, harsh, destructive, special...”

“Soul connections are not often found and are worth every bit of fight left in you to keep.”

“Shooting Willoughby carrying Marianne up the path. They did it four times. 'Faster,' said Ang [Lee]. They do it twice more. 'Don't pant so much,' said Ang. Greg [Wise (playing Willoughby)], to his ...”