“Science fiction at its best should be crazy and dangerous, not sane and safe.”

“As many authors have said, if the writer is not surprised by events, then chances are that the reader will not be either, and grow bored.”

“The emotional tone or affect of the tale should be hot and engaged, not remote and dispassionate.”

“It was not until the appearance of cyberpunk in the 1980s that SF began to grapple in a broadly meaningful way with the reality of computers as something other than giant mainframes tended by crewc...”

“Stephen King consummately honors several traditions with his rare paperback original, 'Joyland.' He addresses the novel of carny life and sideshows, where the midway serves as microcosm, such as in...”

“The three touchstones that woke Buddha up - sickness, old age, and death - are a pretty good place to start when crafting a tragic tale. And if we need to get more specific: heartbreak, destruction...”

“We realized that among us, among all the races, we had a staggering fund of knowledge and of techniques - that working together, by putting together all this knowledge and capability, we could arri...”

“It seems to me, Golan, that the advance of civilization is nothing but an exercise in the limiting of privacy.”

“Science fiction at its best should be crazy and dangerous, not sane and safe.”

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”

“You must stay drunk on writing so reality cannot destroy you.”

“The road to hell is paved with adverbs.”