I used to think love was two people suckingon the same straw to see whose thirst was stronger,but then I whiffed the crushed walnuts of your nape,traced jackals in the snow-covered tombstones of your teeth.I used to think love was a non-stop saxophone soloin the lungs, till I hung with you like a pair of sneakersfrom a phone line, and you promised to always smellthe rose in my kerosene. I used to think love was terminalpelvic ballet, till you let me jog beside while you pedaledall over hell on the menstrual bicycle, your tongueripping through my prairie like a tornado of paper cuts.I used to think love was an old man smashing a mirrorover his knee, till you helped me carry the barbellof my spirit back up the stairs after my car pirouettedin the desert. You are my history book. I used to not believein fairy tales till I played the dunce in sheeps clothingand felt how perfectly your foot fit in the glass slipperof my ass. But then duty wrapped its phone cordaround my ankle and yanked me across the continent.And now there are three thousand miles between the uand s in esophagus. And being without you is like standingat a cement-filled wall with a roll of Yugoslavian nickelsand making a wish. Some days I miss you so muchId jump off the roof of your office buildingjust to catch a glimpse of you on the way down. I wishwe could trade left eyeballs, so we could always seewhat the other sees. But youre here, Im there,and we have only words, a nightly phone call - one chanceto mix feelings into syllables and pour into the receiver,hope they dont disassemble in that calculus of wire.And lately - with this whole war thing - the language machinesupporting it - I feel betrayed by the alphabet, like theyreinjecting strychnine into my vowels, infecting my consonants,naming attack helicopters after shattered Indian tribes:Apache, Blackhawk; and West Bank colonizers are settlers,so Sharon is Davey Crockett, and Arafat: Geronimo,and its the Wild West all over again. And I imagine Picassolooking in a mirror, decorating his face in war paint,washing his brushes in venom. And I think of Jeninin all that rubble, and I feel like a Cyclops with two eyes,like an anorexic with three mouths, like a scuba diverin quicksand, like a shark with plastic vampire teeth,like Im the executioners fingernail trying to reasonwith the hand. And I dont know how to speak lovewhen the heart is a busted cup filling with spit and paste,and the only sexual fantasy I have is bustinginto the Pentagon with a bazooka-sized pen and blowingopen the minds of generals. And I comfort myselfwith the thought that well name our first child Jenin,and her middle name will be Terezin, and well teach herhow to glow in the dark, and how to swallow firecrackers,and to never neglect the first straw; because no oneever talks about the first straw, its always the last strawthat gets all the attention, but by then its way too late.
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About Jeffrey McDaniel
Jeffrey McDaniel was a contemporary American poet. Jeffrey McDaniel is an American poet. He has published six books of poetry, most recently Holiday in the Islands of Grief. Read more on Wikipedia →
Themes
- Poetry — The art of language, rhythm, and emotional expression