I had a very specific moment where I had watched Blade Runner [1982] – at home on VHS, not in the cinema because I was then too young. I became obsessed with it, the beauty of the density and layering of the imagery. And then, when I was old enough, I watched Alien [1979], and as when you hear two pieces by the same musician, or read two books by the same writer, I distinctly remember realising it was the same mind behind these two different movies. I had been making my own films, just shooting things and cutting them together, but suddenly, at the age of 13 or 14, I understood directing – the closest thing to what defines filmmaking for me. Realising that there was a mind controlling that aesthetic, that feeling at the end of the film. And it wasn’t any one thing: it was photography; it was sound; it was costumes… It was control over the whole mise en scène. My realisation was very particular to Ridley Scott, and my love for his films and obsession with the way he was doing things.