“You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a cu...”

“To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought...?”

“(Loves atopia, characteristic which causes it to escape all dissertations, would be that *ultimately* it is possible to talk about love only *according to a strict allocutive determination*; whethe...”

“This singular reversal may perhaps proceed from the fact that for us the subject (since Christianity) is the one who suffers: where there is a wound, there is a subject: die Wunde! die Wunde! says ...”

“Gossip reduces the other to he/she, and this reduction is intolerable to me. For me the other is neither he nor she; the other has only a name of his own, or her own name. The third-person pronoun ...”

“Each of us has his own rhythm of suffering.”

“The Winter Photograph was my Ariadne, not because it would help me discover a secret thing (monster or treasure), but because it would tell me what constituted that thread which drew me toward Phot...”

“We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate ...”

“Mediante la fotografa y la palabra escrita intento desesperadamente vencer la condicin fugaz de mi existencia, atrapar los momentos antes de que se desvanezcan, despejar la confusin de mi pasado.”

“Reality offers us such wealth that we must cut some of it out on the spot, simplify. The question is, do we always cut out what we should? ”

“All photographs are memento mori. To take a photograph is to participate in another persons (or things) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, a...”